Description: Players A, B and C are actors in a movie. (Get the title of the movie from the audience.) They will play out a scene from the movie for a few minutes, until Player D enters the scene as the Director. The Director will critique how the scene went (often being negative), and then give the Players a suggestion for how to play the scene. A, B and C play the scene again, incorporating the Director's suggestion. The scene will be repeated another 2-4 times until the Director brings the scene to a close.

Tips: A, B and C can adopt stereotypical actor personas to play in the moments between the scenes (diva, method actor, "I'll be in my trailer", "What's my motivation?" etc.).
The Director can end the scene with an appropriate commentary on the movie - that was the most brilliant scene ever; we've run out of money in the budget; we're going straight to video; etc.

Description: This game requires four Players. Player A will be the contestant on The Dating Game; A will leave the room. Players B, C, and D will be given particular characters to play by the audience. Once chosen, Player A returns and asks the other Players successive Dating Game questions: the type of date they'd go on, what they'd do, what kinds of things he/she likes, etc. Player A will end the scene by describing each of the contestants (asking further questions if he/she is slightly off base). It's up to Player A whether they want to date any of the contestants.

Tips: Be careful of pop culture references other than the most obvious. If Player A is unfamiliar with the reference, it will be very difficult to get him/her to guess it. Depending on your audience and community, you may need to stick to appropriate gender roles - Player A is male and B, C, and D are female or vice-versa.

Gimmicks: One player persona could be one that is gradually changing ("A baby growing up to be an old man"). If any chosen personas are non-human, the character should probably be able to speak in order to answer questions.

Description: This game requires four players. First a suggestion for a non-geographical location is taken from the audience. Then each player tells what character they will be in the scene. Finally, suggestions are taken from the audience for four means of dying - not actual means (like gunshot or food poisoning) but more ridiculous, innocuous means (like marshmallows or the letter G). Once the scene begins, the four players act out the scene as normal, but each one eventually will die by one of the means suggested. The scene ends when everybody's dead.

Tips: Players have to remember nine pieces of information - the four characters, the location, and the four deaths. Not for the faint of memory.

Gimmicks: Because each death is used once and only once, the game can become good-heartedly competitive for players to "get" the death they wanted. Players can "steal" a death from another - for example, as Player A is obviously setting up the opportunity to die, Player B can come in and somehow have the death be inflicted upon him instead. (Player A now has to find another death.) Players can also "give" a death to other players by setting them up with offers that lead towards a particular means of death.

A player can enter and almost immediately come upon their means of death.

The last player left can milk the scene for as much as they can - they're basically in soliloquy mode.

Description: Four chairs are placed in a 2 x 2 square on the stage, and the players stand in a line to one side. Player A starts as the driver of the car. Player B then approaches the car as a hitchhiker. Player B enters as a particular character, which Player A adopts. After a short scene, Player C enters as a different character. Players A and B then adopt that character. Player D finally enters the scene, with A, B and C adopting that character. When Player E enters the scene, Player A finds a reason to exit the seat/driver's seat, and Player B shifts to the driver's seat, Player C moves to the front, and Player D moves over to allow space for Player E.

Each player enters the scene, and the players in the car adopt that player's character. After the final Player Z has entered, Player A comes in next with a character. When Player X leaves the driver's seat, everyone in the car adopts Player Y's character. Then when Player Y leaves, everyone adopts Player Z's character. Finally, Player Z leaves and the scene ends with Player A once again driving the car alone.

Tips: Players in the car can either adopt the new player's character OR a character closely related to it. For example, if a player enters the car as Harry Potter, the others don't all need to become Harry Potter - they might choose to be other Harry Potter characters.

Variants: The number of players in the car may be varied.
Can also be played as a guessing game. When a player enters the car, the driver must determine what their characterization is; once he adopts it, that is his opportunity to leave the car.

Description: One player plays a marriage counselor. Two other players play a couple in need of counseling. Their "problem" is that every time one of them does a certain action, the other reacts in an unusual way. The marriage counselor interviews the couple and attempts to ascertain the actions and the reaction.

Tips: Players playing the couple should choose actions which are easy to incorporate into a conversation with another and that could  be made obvious to the casual observer. For example, twirling one's hair, stretching arms, scratching face, etc. The reactions can be a little more over the top. Examples: every time A rubs her eyes, B changes more and more into a robot; every time B coughs, A has flashbacks of the Vietnam War.
- The marriage counselor can have fun with the scene by adopting a character for themselves, even a characterization of well-known therapists (Dr. Phil, Sigmund Freud, etc.).
- Once the actions/reactions have been guessed by the counselor, end the scene logically - resolving the couple's issues, scheduling a next appointment, etc.

Variants: Some troupes play the couple as simply having quirks (not as a reaction to another's action); the counselor must determine the quirks. (This becomes similar to Party Quirks.)